Accusations that the family behind OxyContin actively downplayed its perils have led arts and education institutions to rethink accepting Sackler funds.
Once on the margins, older African-American artists are suddenly a hot commodity. They are relishing the attention while dealing with the market’s grueling demands.
Siah Armajani’s career survey at the Met Breuer and public sculpture in Brooklyn Bridge Park offer a portrait of the Iranian artist in exile in America.
The decision, which followed similar moves from British museums, highlights growing unease in the art world over the family’s links to OxyContin and the opioid crisis.
The artist dances with wolves, and hunters, in his new film “Redoubt,” shot in his native Idaho. It’s the most emancipated work of his career.
“Vase With Poppies” was shelved after its authenticity was questioned in 1990. It will go back on display in April at a museum in Hartford.
Whether a crazy quilt of a museum in the Netherlands or a whimsical corkscrew that looked like his friend Anna, Mr. Mendini’s work drew attention.
As the museum’s Andy Warhol retrospective ends its run, Holland Cotter revisits the exhibition through a work that showed the artist shifting gears.
In her bustling London office, Beata Heuman labels liberally, files in an antique cabinet — and still finds a place to watercolor.
Michelle Dorrance brings three distinct programs to City Center; Jackson and others are inducted into the Rock & Roll Hall of Fame; and an artist gets a retrospective in D.C.